FLOWING RIVER_2018_140x140x2 cm No. 1006_Flowing river, from 2018, forms part of my series of colour-field paintings. In the colour field at the top of the picture, the earthy, reddish-brown shade has a robust, physical presence, accentuated by a striking deep-brown silhouette. Velvety soft with a watercolour-like consistency, the opal-green colour field in the lower part of the picture, with its landscape-like expanse, exudes an ethereal atmosphere. Between the two blocks of

UNTITLED_2024_50x60x0,3 cm No. 1600_Untitled is a work from 2024. An aluminium composite panel, which offers ideal properties for the oil-based abstract squeegee technique, served as the support. In this monochrome work, a rich palette of green, orange and grey-browULYn tones interplays with a magnificent dark brown. Subtle, barely perceptible fleeting dabs of red and turquoise hint at deeper layers of colour and reveal how, using a squeegee and brush, through scraping and l

UNTITLED_2019_160x120x2,8 cm No. 1030_Untitled, from 2019, forms part of my series of color-field paintings. This extraordinary painting exudes a warm, shimmering, subdued light that captivates the viewer’s eye and floods the room with its atmospheric aura. In the dominant colour field of the upper part of the picture, misty wisps seem to drift slowly within a hazy cloud formation. An opalescent shade of reddish-purple, containing nuances of plum, mulberry and cyan blue, has

UNTITLED_2024_100x100x2 cm No. 1375_Untitled is a work created using the abstract squeegee technique in 2024. “It is a coincidence that is always planned, yet always surprising. I am often amazed at how much better chance is than I am” Gerhard Richter The work, rendered in a luminous palette of red hues, captivates with its vertical, palimpsestic-looking columns of fiery green, flaming orange, radiant yellow, luminous blue and kaleidoscopically interwoven intensity. Despite t

MUD WITH SWIRL_2023_50x60x4,5 cm No. 1765_Mud with swirl is a work created using the abstract squeegee technique in 2023. Through the use of thick and viscous paint mixtures applied with brushes, squeegees and spatulas, as well as by scraping away and repeatedly applying layers of paint, an earth-toned, monochrome work has been created. A viscous, greenish-brown stream of bubble-forming mud moves horizontally across the canvas, forming a pink swirl. The muddy ‘magma’ is bound

AVATAR_2022_120x100x2 cm No. 1313_Avatar was created in 2022 using a mixed media technique based on a metal-based iron dispersion, highly concentrated colour pigments and acrylic-based chalk paints. ‘On Pandora, many plants and animals glow bioluminescently at night in shades of blue and violet, with this luminous skin colour offering the Na’vi avatars protection in the dense jungle of the Omaticayan forests.’ Resembling an animal-like ‘jellyfish’, a biomorphic figure stands