TEXTURE TÉNUE IV_2018_40x30 cm No. 2500_Texture ténue IV is a pastel work of color field painting from 2018. Mark Rothko was convinced that tragic expression was more comprehensible in dark paintings, as he revealed to his friend Katherine Kuh, curator at the Art Institute of Chicago. However, I would translate tragedy here as mystical and mysterious. Two rotating colour fields gradually emerge from a sandy brown background in a delicate interweaving of grey and black tones,

FOREST_2024_80 x 60 x 2,8 cm No. 1453_Forest, created in 2024, is a work of abstract squeegee technique. Based on impasto mixtures applied with brushes, squeegees and spatulas, repeated scraping and countless layers of colour, an opulent, warm and nuanced monochrome brown tone was created. The entire spectrum of the secondary and tertiary colour groups with fiery tones of bright orange and green is recognisable and coherently and kaleidoscopically interwoven via a velvety sof

UNTITLED_2015_100 x 100 x 2.8 cm No. 1323 (untitled) is a color field painting from 2015, inspired by Mark Rothko's masterpiece "Untitled (White, Blacks, Grays on Maroon)" from 1963 (Kunsthaus Zürich). “ Mark Rothko was convinced that the tragic expression was more comprehensible in the dark paintings, as he revealed to Katherine Kuh. ” Katharine Kuh (born Woolf; 1904–1994) was an art historian and curator from Chicago, Illinois. This is an oil painting, but acrylic-based cha

MATRIX_2022_60 x 50 x 3.6 cm The work No. 1757_Matrix from 2022, created using the squeegee technique, testifies to a geometric aesthetic. “ he careful smearing of the red almost seems like a theatrical curtain preparing to reveal the stage ” Michael Hanna, Curator & Editor, Titan Contemporary Publishing, New Jersey A bright, rich red stretches like a “ digital ” veil over a white-grey background nuanced with green, blue, and violet, suggesting energy and movement through

BIRCH_2023_120 x 100 x 2 cm No. 1315_Birch from 2023 belongs to the group of works created in mixed media. “ Complex feelings and thoughts are best conveyed through the greatest possible simplification ” Mark Rothko Dynamic and reduced in color and form, the work focuses on earthbound textures. The use of metal-based iron dispersion, highly concentrated pure white pigments, and acrylic-based chalk paints lend the painting its archaic character. The broken white reveals a ro

BRUSHWOOD_2024_100x100x2cm At No. 1385_ Brushwood is a work of abstract squeegee technique from 2024. « Magnifique abstraction qui nous fait penser à un sous-bois bien rafraîchissant et qui nous communique une belle sensation de bien-être » (audience voice) The work beautifully demonstrates how the squeegee technique is capable of producing harmonious, landscape-inspired compositions with subtle color coordination. Shades of warm green with elements of the underlying primary

YELLOW CLOUD_2017_140 x 120 x 1 cm No. 1100_Yellow Cloud from 2017 is part of my color field paintings. On a plywood panel, a layer of iron dispersion was applied with a transparent binder, followed by countless layers of heavily diluted oil paints using egg and alkyd resin. The warm, rust-brown, archaic background forms the perfect frame for the internally glowing and rotating yellow and blue color fields. The painting radiates light, warmth, harmony, and depth, creating a m