FLOWING RIVER_1006_140x140x2 cm No. 1006_Flowing river, from 2018, forms part of my series of colour-field paintings. In the colour field at the top of the picture, the earthy, reddish-brown shade has a robust, physical presence, accentuated by a striking deep-brown silhouette. Velvety soft with a watercolour-like consistency, the opal-green colour field in the lower part of the picture, with its landscape-like expanse, exudes an ethereal atmosphere. Between the two blocks of

UNTITLED_1600_50x60x0,3 cm No. 1600_Untitled is a work from 2024. An aluminium composite panel, which offers ideal properties for the oil-based abstract squeegee technique, served as the support. In this monochrome work, a rich palette of green, orange and grey-browULYn tones interplays with a magnificent dark brown. Subtle, barely perceptible fleeting dabs of red and turquoise hint at deeper layers of colour and reveal how, using a squeegee and brush, through scraping and l

UNTITLED_2019_160x120x2,8 cm No. 1030_Untitled, from 2019, forms part of my series of color-field paintings. This extraordinary painting exudes a warm, shimmering, subdued light that captivates the viewer’s eye and floods the room with its atmospheric aura. In the dominant colour field of the upper part of the picture, misty wisps seem to drift slowly within a hazy cloud formation. An opalescent shade of reddish-purple, containing nuances of plum, mulberry and cyan blue, has

UNTITLED_2024_100x100x2 cm No. 1375_Untitled is a work created using the abstract squeegee technique in 2024. “It is a coincidence that is always planned, yet always surprising. I am often amazed at how much better chance is than I am” Gerhard Richter The work, rendered in a luminous palette of red hues, captivates with its vertical, palimpsestic-looking columns of fiery green, flaming orange, radiant yellow, luminous blue and kaleidoscopically interwoven intensity. Despite t

MUD WITH SWIRL_2023_50x60x4,5 cm No. 1765_Mud with swirl is a work created using the abstract squeegee technique in 2023. Through the use of thick and viscous paint mixtures applied with brushes, squeegees and spatulas, as well as by scraping away and repeatedly applying layers of paint, an earth-toned, monochrome work has been created. A viscous, greenish-brown stream of bubble-forming mud moves horizontally across the canvas, forming a pink swirl. The muddy ‘magma’ is bound

AVATAR_2022_120x100x2 cm No. 1313_Avatar from 2022 is a work created using mixed media. In Hinduism, “avatara” means the manifestation of a divine aspect that takes the form of a human or animal. The work was created using a metal-based iron dispersion, highly concentrated colour pigments and acrylic-based chalk paints. Against a rust-brown background, a biomorphic figure in the form of a bright blue ‘animal’ jellyfish stands out, peacefully and silently gliding through the a

TEXTURE TÉNUE IV_2018_40x30 cm No. 2500_Texture ténue IV is a pastel work of color field painting from 2018. Mark Rothko was convinced that tragic expression was more comprehensible in dark paintings, as he revealed to his friend Katherine Kuh, curator at the Art Institute of Chicago. However, I would translate tragedy here as mystical and mysterious. Two rotating colour fields gradually emerge from a sandy brown background in a delicate interweaving of grey and black tones,

FOREST_2024_80 x 60 x 2,8 cm No. 1453_Forest, created in 2024, is a work of abstract squeegee technique. Based on impasto mixtures applied with brushes, squeegees and spatulas, repeated scraping and countless layers of colour, an opulent, warm and nuanced monochrome brown tone was created. The entire spectrum of the secondary and tertiary colour groups with fiery tones of bright orange and green is recognisable and coherently and kaleidoscopically interwoven via a velvety sof

UNTITLED_2015_100 x 100 x 2.8 cm No. 1323_Untitled is a color field painting from 2015, inspired by Mark Rothko's masterpiece "Untitled (White, Blacks, Grays on Maroon)" from 1963 (Kunsthaus Zürich). “ Mark Rothko was convinced that the tragic expression was more comprehensible in the dark paintings, as he revealed to Katherine Kuh. ” Katharine Kuh (born Woolf; 1904–1994) was an art historian and curator from Chicago, Illinois. This is an oil painting, but acrylic-based chalk

MATRIX_2022_60 x 50 x 3.6 cm The work No. 1757_Matrix from 2022, created using the squeegee technique, testifies to a geometric aesthetic. “ he careful smearing of the red almost seems like a theatrical curtain preparing to reveal the stage ” Michael Hanna, Curator & Editor, Titan Contemporary Publishing, New Jersey A bright, rich red stretches like a “ digital ” veil over a white-grey background nuanced with green, blue, and violet, suggesting energy and movement through

BIRCH_2023_120 x 100 x 2 cm No. 1315_Birch from 2023 belongs to the group of works created in mixed media. “ Complex feelings and thoughts are best conveyed through the greatest possible simplification ” Mark Rothko Dynamic and reduced in color and form, the work focuses on earthbound textures. The use of metal-based iron dispersion, highly concentrated pure white pigments, and acrylic-based chalk paints lend the painting its archaic character. The broken white reveals a ro

BRUSHWOOD_2024_100x100x2cm At No. 1385_ Brushwood is a work of abstract squeegee technique from 2024. « Magnifique abstraction qui nous fait penser à un sous-bois bien rafraîchissant et qui nous communique une belle sensation de bien-être » (audience voice) The work beautifully demonstrates how the squeegee technique is capable of producing harmonious, landscape-inspired compositions with subtle color coordination. Shades of warm green with elements of the underlying primary

YELLOW CLOUD_2017_140 x 120 x 1 cm No. 1100_Yellow Cloud from 2017 is part of my color field paintings. On a plywood panel, a layer of iron dispersion was applied with a transparent binder, followed by countless layers of heavily diluted oil paints using egg and alkyd resin. The warm, rust-brown, archaic background forms the perfect frame for the internally glowing and rotating yellow and blue color fields. The painting radiates light, warmth, harmony, and depth, creating a m